Thursday, April 23, 2015

Juicy Tapes Vol. 5 - A little bit country & rock n' roll

The full name of this tape is actually "I'm a little bit country & I'm a little bit rock n' roll, babe. So back off" - you know, from the Donny & Marie TV show? No? There's not that many of us that remember that show at this point…. Anyway, that title is too long to write on the tape glass and it's too long for a URL, so I've truncated it. Now you know.

I'm not sure why I put the rock songs on the A side, but that's what we've got going on here. The tape starts off with one hell of an opener, "Sure Thing" from the UK's The Darling Buds, but it's not on the streaming services. (Not to be confused with some newer grungy dude band) I wouldn't normally do this in the middle of the post, but check this song out. It's SO GOOD. Turn it up loud if you can.

Kind of a horrible video, though. Dudes standing around in the sand playing their guitars with zero verve while the singer somewhat sort of mimes the lyrics. Ugh. Anyway.

Lots of great (mostly)early-90's indie rock on the A-side. Not sure why I called the This Mortal Coil song "Neet & Meniscus," it's just the song "Meniscus."

The B side goes a little blues in the middle. I think the songs just kind of went there for me, or that's all the "country" I had in my collection at the time. This was well before alt country was a thing, and maybe was still rebelling a bit against country music, as that's what my dad listened to all of the time in the car. I tried having him listen to my music sometimes and I recall him ripping on Bernard Sumner's vocals in the New Order songs I played for him. I've eventually come around to some country, for example what you hear on the alt country station on, but the "pop" country that makes up the mainstream for the past decade or so is, by my unscientific estimation, about 99% crap. I'm happy for you to try and convince me otherwise in the comments!

I suppose that's what this mix is, for me. An attempt to reconcile the music that I loved and listened to (Stone Roses, Boo Radleys, Smashing Pumpkins, etc) with what I saw as my dad's music, or music that sounded somewhat like something my dad would listen to. Bonnie Raitt and Eric Clapton were certainly music he listened to. The Hound Dog Taylor record was my dad's album!

So, to paraphrase Timbaland: Getcha country on. And your rock. And maybe some roll, too.

Here are the tracks other than "Sure Thing" that aren't on the streaming services. The Garth Brooks tune:

Jack Frost is Grant McLennan from the Go-Betweens (and his own solo career) and Steve Kilbey from The Church. GREAT song. I'll post the song that has better audio and the music video below. The vocals in the music video seem a bit different from the song itself, but only slightly. Maybe only Steve's vocals. Anyway - minutiae. Listen to the song. :)

And lastly, the Don Henry song. (It's not a typo of Eagles' Don Henley, either.) Don Henry is an American songwriter who has had his songs recorded by Ray Charles, Conway Twitty, Blake Shelton and Miranda Lambert. This song is from his record Wild In The Backyard. I can't find "Mr. God," so here's his song "Harley":

And finally - Donny and Marie!

Monday, April 20, 2015

Album Listening Club - To Pimp a Butterfly

Kendrick Lamar released his third album in March of 2015. It was the third rap album to top the sales charts at that point in the year, and held the top spot for 2 weeks, the first album to do that since Taylor Swift's 1989.

Kendrick Lamar - To Pimp a Butterfly (Top Dawg Entertainment)
Lamar released two singles ahead of the album in 2014, one of which, "i," won him a Grammy award for Best Rap Performance and Best Rap Song in February of this year.

Critics have lauded To Pimp a Butterfly, but what do we care what the critics think? I care what *you* think. So let's talk about this record in the comments below!

(Purchasing through iTunes affiliate links help support Your Older Brother. Thanks!)

Saturday, April 18, 2015

Festival Of My Dreams

I've been lamenting the lack of compelling festival lineups this year, and instead of whining about what I'm not seeing, I thought I'd compose a list of what I would like to see at a music festival - preferably my own. (No, really, I'm hoping to put on a music festival here in my home state of Colorado in the next year or so!)

Your Older Brother's Music & Art Festival won't be this big right away. But hopefully someday.
My only rule is that I'm keeping this list realistic, which is to say only booking bands that are still touring, or bands who may have broken up but with all living original members who still seem to want to play together, or at least haven't outright said "never again" (I'm looking at The Smiths & The Police here - they're both done). For instance, I'd want Big Country to play (they're still together & tour), but without Stuart Adamson…sorry, guys.

All that said, there are surely bands I'm forgetting. These are in not much of an order. There are 52 bands, I think, so that's, what…26 bands/day. If 2 stages, 13 bands/stage, if 3 stages, about 9 bands/stage. Three stages sounds about right.

So, in no order, here's my dream lineup for Your Older Brother's Music & Art Festival:

Cocteau Twins (probably the longest reunion shot here)
Uncle Tupelo (Playing Anodyne)
The Replacements
Sinead O'Connor
The National
Against Me!
Billy Bragg
The Hold Steady
Kimya Dawson
Real Friends
Deltron 3030
Skinny Puppy
The Art Of Noise
Pete Wylie (playing Sinful)
Diane Schuur
Standard Fare
Yeah Yeah Yeahs
The Afghan Whigs
The English Beat
Orchestral Manoeuvres in the Dark
Sparks + Jane Weidlin (playing In Outer Space)
Dillon Fence
The Toy Dolls
Marc Almond
Chrissie Hynde/Pretenders
St. Paul & the Broken Bones
Lux Lisbon
Lydia Loveless
Steel Pulse
Dan Boeckner - Any project, past or present
Kasey Chambers
Kevin Devine
Bloc Party (original lineup)
De La Soul
Calder's Revolvers
Dwight Yoakam
Todd Farrell, Jr. - & the Dirty Birds
The Cables (rock band from San Diego)
Teacup Gorilla
I Sank Molly Brown
aMiniature (They're still playing shows…)
Tucker (Ok, this last one is my old band from back in the day, but I figure I can book myself to play my own festival if I want. :)

Who would you want to see at a festival? Give me your top 3 festival bands in the comments.

Purchasing from iTunes affiliate links helps to support Thanks!

Friday, April 17, 2015

Kotorino at Syntax Physic Opera

One of the benefits of writing about music is that there are a lot of people who want you to listen to their bands. They reach out and tell you a bit about the music and why they're contacting you - they've got a new release, they're coming through town, etc.

Some bands aren't great, but they're trying. They're playing. They have something inside that wants to get out, and to me, that's cool. Some bands are good, but sometimes don't hit me in the right spot. Whether I'm just not in the mood to hear what they've got, or it's not my thing overall, I'll take a pass.

Then there are bands like Kotorino that get my attention at just the right time.

Kotorino at Syntax Physic Opera
I like Kotorino's music - kind of an art-y, jazzy vibe. The type of music that they create is best experienced in a live setting, and especially at a club like Syntax Physic Opera in Denver.

Kotorino came through town in late January/early February to play a few dates, and I was contacted by Jeff Morris, one of the singers of and guitar player for the band, to see if I wanted to check out one of their shows. It turned out that I was going to be in town the night of their Feb. 2nd show anyway, so I stopped by just in time to see their last two songs. I'm so glad I made it there, because the band is definitely in their element in a unique, harmonious space such as Syntax.

Kotorino at Syntax Physic Opera in Denver, CO
My friend Terry and I stayed around and chatted with the band for a couple of hours afterward. They're all very friendly and had interesting stories to tell about the other shows they played in Denver that trip. We also talked with Jeff and the other main singer Ellia Bisker about their additional music project of "murder ballads and love songs", Charming Disaster, and Ellia's solo work as Sweet Soubrette. These are some talented and crazy creative people, folks.

I had a ways to drive home and Terry needed to have a bite to take the edge off the excellent cocktails from the Syntax, so we parted ways with the band and each other and went our separate ways.

Inspired by our night with the band, however, Terry and I got to talking and have worked with the folks at Ignite Denver to bring the band back for Ignite Denver 20 on Thursday, June 11th at the Oriental Theater.

As of this writing, the band is still looking for other gigs that weekend, feel free to contact them if you'd like them to play your event/gallery/house party/wedding/etc! Jeff and Ellia as Charming Disaster have a couple of dates lined up in early May in Vermont & Massachusetts, so catch those shows if you can.

Here's their music on the Spotify and Rdio streaming services as well:

Viva Kotorino!

Thursday, April 16, 2015

Little-known Lyrics

There are certain lyricists in popular music that are held as masters of the craft. Cole Porter, Bob Dylan, Leonard Cohen, Fred Durst - okay, kidding about that last one.

Some of my favorite lyrics come from bands that *I* love, but I don't know if others feel the same way about the lyric that I do.

For instance, my most recent example is from a band I've had the good fortune to meet and see perform in the past couple of weeks, Teacup Gorilla. There's a couplet from their song "I'm Not Ready To Go Yet":
"And now, each night, I count the stars.

And each night, I get the same number."

Photo Credit: NASA

I don't know what it means, specifically, but there's something about the vastness and simple beauty of the image that it brings up in my mind that makes me feel sad and hopeful at the same time. A kind of longing. (I was just informed by Eric Suzanne, the bass player for Teacup Gorilla, that those lines are actually from a poem called "Preface to a Twenty Volume Suicide Note" by Amiri Baraka, and that they may change. I still like them and how they sit in the song.)

Another one of my favorite lines is from the song "Forget Me" by The Promise Ring. Their early lyrics are vague enough, almost like word association. One couplet from this song gets me though:

"Between one June and September/You're all I remember"

I don't quite understand the rest of the song, but I feel like we've all had someone that we remember from a summer fling. (Or a winter fling, if you're listening to this song south of the equator) June-September being the traditional months for summer break in the U.S.A., it just brings to mind that feeling of being wrapped up in a romance. 

Between one june and september
Those are just a couple of examples. I'm sure I could go on for hours. :) What are some of your favorite little-known lyrics?

iTunes links are affiliate links, meaning if you purchase by clicking on a link, you help support Your Older Brother! He always did need a little help…

Sunday, April 12, 2015

Finding "Home"

If you're a music fan, you've had it happen to you - you remember a bit of a song, a far-off recollection, and it drives you NUTS for days/weeks/months until you figure it out or give up. This is one such story, with a happy ending.

My friend Laura, who writes the Lyrique Discorde blog, has a regular feature on her personal Facebook page where every Friday she asks people to post songs on a theme. This past Friday, April 10th, the theme was "home." Songs posted by her friends included "Home" by Depeche Mode, "House of the Rising Sun" by The Animals, "Home and Dry" by Pet Shop Boys, and "This Must Be the Place (Naive Melody)" by Talking Heads. (Here is the resultant blog post)

I didn't post a song, because I thought of a song called "Home" that I wanted to post, but I couldn't remember who the artist was. It's very difficult to find a song called "Home" when you're Googling "home 90's band." It's like trying to google The The once upon a time. (Their algorithms seem to have been adjusted)

So I vented my frustration on my personal Facebook page after spending a solid hour or two trying to think of it: "Drivin' me nuts trying to recall the name of a band who had a song called "Home" in the 90's. Slow song, electronic sounding. Mostly just remember the drums. Probably early-mid 90's, like 93 or so."

I have a lot of kind musichead friends who then tried to help, suggesting sites like,, and They also suggested songs, from "You're My Only Home" by the Magnetic Fields to "Home" by Pop Will Eat Itself. I tried to further clarify by posting that I couldn't remember any lyrics, just "'Home…da da da da…home' with the 'da da da da' being lyrics i cant remember, and that the singer had a deep voice with what might be a German accent, that it was a marginal song (maybe not a single), that I felt like the name of the band was two words (possibly starting with "the" like "The Something Somethings") and started with an S, and that the beat in the song resembled the Amen break.

I tried to remember the song for the past 2 days. I was unsuccessful.

I also acknowledged that my "feelings" about the letter of the alphabet that band names start with has been wildly incorrect in the past.

This morning, as I dozed, I started thinking about what the song might be. I used the technique that my friend Richard suggested, which he called "state-dependent recall" and described as to "put your mind in the same place it was when you last could likely recall it." I had sort of been doing that and could get brief flashes of memory to open up, only to close in that same instant, having not yielded any information.

Heading down the path of the German accent, I picked up my phone and Googled "german electronic bands 90's" Of course there's a Wikipedia article of German electronic music groups. :) The list wasn't too long, so I didn't care that it wasn't specifically from the 90s. I did not see a familiar band name in the list, but I still could hear the hint of a Germanic accent in my head when I remembered the song.

One of the suggestions on my phone when I googled "german electronic bands" was a list of industrial bands, so
I clicked on that to have a browse. See, one of the nagging thoughts in my head was that the song was coming from a band that had a previous history of harder music, and this track was a bit softer than their previous music. Many industrial bands span a variety of tempos & styles within the genre, so I figured I'd give it a once-over. Not to mention that the genre in the early-mid 90's was fairly plastic, being influenced by other genres (techno, house, etc) and legitimized in ways by popular bands like U2 and Depeche Mode.

Wikipedia's List of industrial music bands

That list rendered on my phone as closed menus that I had to open one by one. (I liked this - it added to the suspense. :)) I opened the "A" section and saw à;GRUMH... - a band I hadn't thought of for YEARS.

A bit of backstory - I had already started
listening to the music characterized as "industrial" back in high school. Bands like Skinny Puppy and Depeche Mode songs like "Work Hard" and seeing the video of "Sensoria" by Cabaret Voltaire on FM/TV (Teletunes), a local video show here in Colorado on channel 12 public television.

Once I started working at KCR in 1990, I met others who had a like mind and were even more into industrial than I was. Specifically, another DJ known as Chase. He opened my eyes to a lot more industrial music than I knew existed, and some stuff harder than I had fathomed. (Thinking stuff like Foetus, Einstürzende Neubauten, Nurse With Wound)

So, back to à;GRUMH.... I clicked through to read up on the band, seeing as I hadn't thought of them in so long, and wanted to know what they had gotten up to. Not much, as the Wiki article would show, but I saw that they were a Belgian band. Duh. German is spoken in some parts of Belgium, and there was a pretty solid component of Belgian industrial bands. Ok, so I needed to widen my scope. But I was going to look through this list anyway.

I made my way through the list, anticipating looking through the "S" section because of my strong feeling that the band name started with S. (Also realizing, as I said before, that my hunches about band names starting with specific letters often proved wrong.)

I browsed through some of the band names that I recognized to see if anything rang a bell. Chris & Cosey, Coil, Front Line Assembly, Meat Beat Manifesto, The Neon Judgement, Sister Machine Gun, The Young Gods…. I didn't find any of them to have a single named "Home," but some of the articles didn't list singles.


Something about The Neon Judgement rang a bell, and they're a Belgian band, so I clicked through to their website, and then to their discography page.

Hey! WAIT! That album cover…I think that's it!!!
The Neon Judgement - Are You Real - 1991 Play It Again Sam Records
Sure enough, there is a song named "Home" on that album. It was not a single, but, I was 99% positive that was the song. I snuck out of bed, fired up my Spotify app and was relieved to see that Are You Real was one of the albums listed in The Neon Judement's catalog. "Home" is, indeed the song I was remembering. The song started with some kind of sampled chant, and then, right on cue, the Amen break dropped in. Such vindication.

Thanks to all of my friends who tried to help! I knew it was something I'd have to find for myself, by myself. And I'm glad I did.

But wait, there's more! On The Neon Judgement's website, I see that they've got a vinyl box set coming out later this week on Record Store Day, Saturday April 18, 2015. Coooool!

iTunes links in this article are affiliate links. Purchasing by clicking through helps support Your Older Brother. Thanks!

Sunday, April 5, 2015

Album Listening Club - Super Fly discussion

By 1972, Curits Mayfield was a respected musicial artist and songwriter, having written "People Get Ready" in 1965 for his group The Impressions. In 1972, he composed the soundtrack for the Blaxploitation film Super Fly. This album, along with Marvin Gaye's What's Going On and the Shaft soundtrack the year before, helped explore and explain some of the black experience in the U.S. in the early 70's.

Artwork © 1972 Curtom Records
I know these things because I read about them in Wikipedia. I'm white, and at the time was 2 years old and lived in Orange County, California.

Through the powerful music and imagery, these albums have since provided me with some insight to how some black people live in the U.S. - the up-front and institutional racism that existed then and persists to this day, and how it affects the daily life of people of color. It's not the totality of the experience of people of color, true, but it exposes some of the worst parts of it. For that, I'm thankful, and can hopefully work toward the true equality of people in the world, starting in my own country.

As for the music - I mostly came to know it first from samples in rap songs of the late 80's (Ice-T & Beastie Boys) and from Fishbone's cover of "Freddie's Dead" on their Truth and Soul album. It's only from the Album Listening Club that I've heard the whole record, I think.

And, with that - let's jump to the comments and discuss the Super Fly soundtrack by Curtis Mayfield!

As always, iTunes links are affiliate links - purchasing from those links helps support Your Older Brother!

Thursday, April 2, 2015

ThURGHsday! #11 - Klaus Nomi

If XTC is one of the most electrifying performances in URGH! A Music War, Klaus Nomi is the most liberating.

Liberating because - what else would you call it? A man in his 30's in white makeup with black accents, almost Kabuki-style, adorned in a geometric costume, backed by a tight band in white jumpsuits, Vogue-ing in the middle of the song along backup dancers in black spandex, all the while singing the choruses in a soaring operatic countertenor? It certainly liberated my conception of what music and art could be. I'm sure at the time I thought it was weird, but who doesn't like the weird when you're a kid? Especially a kid in a mountain town in the early 80's.

It sounds like I'm making myself out to be some yokel who's walking down the streets of New York City with mouth wide open, but that's not really the case. My parents were pretty progressive - my father was an airline pilot who was paid to travel the world and experienced plenty of it. My mom was kind and permissive and allowed my sister and I to be who we were. I had done my share of traveling at that point - camping across the desert southwest on our way to Colorado, flying to Memphis on a regular basis, I'd been to Hawai'i, Washington D.C. - I'd seen a fair amount. And to top it off, I was from southern California, home of The Dream Factory.

But…none of that really prepares you for Klaus Nomi as a kid in 1982.

I wasn't prepared. And I was liberated from any sort of cage that I might ever have put music and art into up to that point. Once you see and hear Klaus Nomi, you know that anything is possible.

The retro video channel VH-1 showed URGH! in the mid-2000's and I recorded it to show my kids what art and music could be. Not just Klaus, but all of it - OMD, the Go-Go's, Surf Punks, Gang of Four, Skafish, Dead Kennedys…and on and on. But I don't think you forget seeing and hearing Klaus. I wanted them to know that liberation of spirit and freedom to create and be who or whatever they wanted to be.

Where URGH! They Now?

Sadly, within a year of me seeing him in URGH! in 1982, Klaus Nomi (born Klaus Sperber) had died at the age of 39 from complications of AIDS.

His legacy was fairly well cemented by then, having appeared nationally not only in URGH! but as a backup singer for David Bowie on Saturday Night Live - all three male singers in dresses, no less.

The Nomi Song, a well-regarded documentary about Klaus, was produced in 2004 and is available from Netflix if you have the DVD option, or you can purchase from the usual places.


Last ThURGHsday! - XTC - "Respectable Street"
Next ThURGHsday! - Athletico Spizz 80 - "Where's Captain Kirk?"

As always, purchasing from the iTunes links in this post help support