Sunday, July 13, 2014

The 1st Album Listening Club album is…

Jack White's Lazaretto!


Most people know Jack as the former leader of The White Stripes, and he's pretty much the god of indie lately, what with his Third Man Records studio and frequent & varied vinyl releases on his Third Man label. I know his songs fairly well, the singles at least. I loved White Blood Cells by The White Stripes. I guess I'll hold any more comments until the discussion post.

The voting came down to the wire with the last vote cast on Sunday afternoon deciding between the two frontrunners. Here are the rankings of the 5 albums that were voted on:
  1. Jack White - Lazaretto - 7 votes (32%)
  2. Slint - Spiderland - 6 votes (27%)
  3. Mantronix - The Album - 5 votes (23%)
  4. Beachwood Sparks - Once We Were Trees - 3 votes (14%)
  5. Critters Buggin - Guest - 1 vote (5%)
I was all ready to be the tiebreaker between Jack & Slint, but a last vote put Jack over the top. I was leaning toward Slint, too, curious as to what had 6 people voting for that record (I haven't heard it).

If you'd like to buy Lazaretto by Jack White on iTunes, please click this link to do so. It's an affiliate link, I'll get a meager pittance for my work here. :)

The album can also be found on Spotify , Rdio, Amazon, and Google Play. (No affiliate, boooo)

On Sunday July 27th, I will create a post on YourOlderBrother.com for us to share our thoughts about the record and, most importantly, discuss with the other listeners! As of this e-mail we have 37 members on the e-mail list, which should lead to lively debate.

IF YOU HAVE NOT JOINED UP YET - what are you waiting for? There's no signup fee, no penalty for late arrivals, no blood, no foul. Sign up below & let's check out some great records together.

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Thanks, everyone!

Saturday, June 28, 2014

Your Older Brother's Album Listening Club

I've tried to do a couple of album listening clubs through the years. First time was about 15 years ago when I worked at a backup software company in California. After a lunch discussion about the merits (or lack thereof) of late-century R.E.M., my friend Pat and I had the idea, similar to a book club: Pick an album, listen for a week, and then get together to discuss it: history, what we heard, where it stands, how it compares, why we like it - or why we don't. Unfortunately, the idea never got past the listening stage. I tried again with my friend Josh at another company recently, but we were never able to connect.

I was browsing through my twitter feed the other day when I came across this tweet from @Tommypenn:
I replied that I'd tried it but it didn't quite work out. It then occurred to me that freeing the discussion from a set place and time might be the way to get good participation. People around the world could listen and comment on the club thread, respond to other comments, etc., whenever they had the time.

So, here we go! There is a survey below for you to fill out, assuming you're interested in playing along, and a form to join the album club e-mail list. For now this list will also subscribe you to the general Your Older Brother newsletter list, but seeing as how I don't have a newsletter yet, this will be the only mail you'll get for now. I'll let you know when that's going to change.

My thoughts on ground rules look like this:
  • All genres are open - bebop, screamo, trance, spazz-core - anything goes, including NSFW lyrics.
  • All locations/countries are open, not just english-speaking countries or bands
  • All eras are open, as long as the album is accessible & available to all to find & listen to
  • No multi-artist compilations - I'd rather delve into one artist than many
  • Double & triple albums are ok
I'm open to other ground-rule suggestions as well, these are the ones I came up with off the top of my head. Let me know your thoughts in the comment section after the survey! I'll go over the rules in a follow-up post and the initial e-mail that goes out.

I would prefer that the album be available on iTunes/Spotify/Rdio to allow for the most chances for people to be able to listen. This leaves a lot of albums & artists available, but would take away the chance for obscure albums (like one of my favorites, Blancmange's Believe You Me) or digital holdouts like AC/DC. (EDIT: Whoops, I guess they're on the iTunes music store. I guess I meant Def Leppard.)



Sign up here for Your Older Brother's Album Listening Club!

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Thank you! Keep an eye out for the follow-up post with the survey results, and thanks for joining! This will be fun.

Sunday, June 22, 2014

The Wang Chung Cover Project



I've always been a fan of Wang Chung's "Points on the Curve" album. Recently I got a wild hair to cover the record, song by song. In one of the more self-indulgent moves here on the ol' blog, I'm going to post the songs that I make. This one is just a guitar, looped drums, & voice. There may end up being more production on other tracks (hell, I may end up adding more to this one), but I wouldn't expect much from any of it. It's mostly just something to get me playing music again, which will hopefully lead to more original songs of my own. I may end up posting some of those, as well. Don't worry, though. There will be no "Everybody Have Fun Tonight." I can't stand that damn song.

So, here you go. Dance Hall Days.

Monday, June 16, 2014

FanPlan.info - Mobile Festival Planning Made Easy

A new venture by some friends of mine here in Denver has launched recently and it could change the way we plan & attend music festivals. They've set up a sweetly simple mobile site called FanPlan.info and it gives you 3 views to choose from:

Alphabetized band list:

Numbers before letters


What bands are playing by time of day:

Bands playing at noon


What bands are playing by stage/venue:

Bands playing at 100% de Agave

If you click the sort choice (Band, Time, Stage) it reverse sorts. AWESOME.

As you can see, it also connects to Twitter to allow for easy tweeting where you're at & what your plans are!

They've only put in local festivals for the moment, but I'm curious to see if they'll add other major festivals soon.

Aimee Giese of Greeblehaus & Giese Media has more info about the history of FanPlan.info on her blog, including a discount code to get $10 off tickets to the Westword Music Showcase happening this Saturday the 21st in Denver's Golden Triangle! Go buy tickets, try out FanPlan.info at the WMS, and send them your feedback on Aimee's blog or to her e-mail listed on the FanPlan.info about page. Let's all help to make FanPlan.info way awesome so we have a kickass scheduling app for festivals!

Saturday, June 14, 2014

Know Your Rights! with the Festival Lawyer

I've been following & conversing with The Festival Lawyer on Twitter for a while now, and he's always had solid advice concerning your legal rights at music festivals. I just now saw that he posted a graphical flowchart for what to do if you're stopped at a music festival on Showbams.


Read through the comments as well there are some good clarifying questions and answers. Someone named Jen asks about the legalese on the back of a ticket and there are a couple of good replies, one from The Festival Lawyer.

Also read through his other articles on Showbams and … KNOW YOUR RIGHTS.


Wednesday, June 11, 2014

Denver Day of Rock 2014

Every year for the past five years, Concerts for Kids has put on the Denver Day of Rock on a Saturday in late May. The first year I knew of it was in 2010 when I saw that Fishbone was playing - FOR FREE. That's right, the DDoR is a free show, every year. It had been years since I'd been 'Boned, so I decided to take the family to the 16th Street Mall in downtown Denver and see one of my favorite bands.

Note to self: Start taking my real camera to shows
Of course they rocked, they're Fishbone!

I wasn't able to make it to the fest in the ensuing years for various reasons, so I missed out on lots of other bands, including local faves Bop Skizzum, Air Dubai, and The Samples (what? They were great when I was in college).

I always look for the lineup, though, and when I skimmed this year's list of bands it went something like this: "Plain White T's…ok, I think my kids like them…Wallflowers…interesting, a Friday night show…Oh, cool! Calder's Revolvers!…Oh, cool! Rachel and the Kings…The Hold Steady…THE HOLD STEADY?!?" It quickly dawned on me that my first Hold Steady show would be a free show and I was incredibly psyched.

Someone at DDoR must have similar musical taste to Your Older Brother, because when the schedule came out, there were NO conflicts of the bands I wanted to see! That's not an easy task when you've got 5 stages going. I passed on seeing The Wallflowers Friday night because it was pouring rain and I wanted to save my energy for the following day. If I was going to get soaked seeing a band, I'd rather it be a band I really love. Like The Hold Steady.

So, Saturday afternoon we made our way once again to downtown Denver for an afternoon of music. First up: Calder's Revolvers.

Calder's Revolvers
I first saw Calder's a few years ago at a Bop Skizzum show and they blew me away, especially their gritty blues/soul song "Ima Lose My Mind" from their Black Bloc release. They were only a four-piece then, so I was surprised to see seven people on the stage; I almost didn't think it was them. Until I heard Andy Schneider's vocals, that is. Dude can blow. The addition of Alea Kilgore on vocals along with trumpet and sax points the way to a more soulful Calder's Revolvers, and that's exactly what you get - a kind of early Stax feel, or something you'd find on Daptone Records. If I ever have a festival of my own (foreshadowing!), I'd love to have them play.

We made our way over to the Curtis Street stage for Fierce Bad Rabbit. I'd heard of them prior to this and wanted to check them out.

Fierce Bad Rabbit
They didn't really wow me, but I'd imagine that it's tough to play shows in the middle of the day when you're used to playing in underlit clubs at night. I don't know if that's what was going on, but the energy seemed off. I'd give them another shot in the dark, so to speak.

Rachel and the Kings are another band we've seen at a past Bop Skizzum show and I haven't seen them  live since they won the Ford "Gimme The Gig II" competition, so they were high on my list of bands to check out as well.

Rachel and the Kings
We loved their cover of Aerosmith's "Dream On"- huge sounding and fairly epic, as the song should be. The rest of the set was underwhelming, though, which was disappointing considering how much I liked their previous material. Maybe it was another case of "daytime show." Rachel is the kind of performer you want to watch, though. We'll see where they go next.

We made our way over to the main Skyline Park stage to catch The Hold Steady next - starting at 6:10pm? This would be interesting. They have always lived in my mind as a bar band and that's where I always thought I would see them, someplace like the Larimer Lounge or Bottom of the Hill, not outdoors in the daytime.

As we stood in the middle of the park area staking out our place, I heard someone calling my name from towards the front near the stage. It was my friend who owns the Hi*Rise, a local bakery (which is AWESOME, by the way, definitely check it out sometime when you're in downtown Denver). We made our way through the still-thin crowd to say hello and ended up staying there, which was an excellent move on our part.

Craig Finn & Tad Kubler
We were stupid close for the set, and it was great.

Steve Selvidge & Tad
They played a bunch of what I guess I'd call their hits - "Massive Nights," "Sequestered In Memphis," "Constructive Summer," "Magazines," "Southtown Girls," and "Chips Ahoy" along with a bunch of other great songs - but of course they're great, it's The Hold Steady. Setlist.fm shows that they played 15 songs which seems to me to be a lot for a one hour set, but I'm not complaining. They could have played 30 and I would have been there for every hard luck story and singalong chorus.

More Craig & Tad
It was less booze-soaked than I thought my first Hold Steady show would be, but it was tight, they sounded great, the crowd was into it - I was very happy. I think Steve was, too:

Steve's a badass
I could have left right then but there was more free music to see! I strolled to the Welton Street stage and saw a couple of songs by Roger Clyne and the Peacemakers, and then came back over to the Champa Street stage to catch Dwayne Dopsie & the Zydeco Hellraisers. Zydeco always entertains.

Not a great pic, but that bright thing in the middle is a full-chest washboard!
I hung out for a bit and was happy to have heard their excellent cover of "Beast of Burden," one of my favorite Rolling Stones songs.

I made my way back over to the main stage because that's where my kids were, watching the Plain White T's. I heard the T's say that they had to reach into their back catalog for some songs because they usually only played hour sets lately (festival veterans!). The crowd of young girls standing in the rain seemed to be ok with that.

The "Hey There Delilah" moment
The T's finished, we went home, everyone was happy!

I'd like to thank Concerts for Kids for putting on another terrific show in our terrific city. Hopefully the Hold Steady get will help bring more big names to next year's lineup, but it's always a good day out in the sunshine (and sometimes rain) in the city.


Wednesday, May 28, 2014

Juicy Tapes Vol. 2 - MARATHON



The Story Behind The Mix:

I worked at a Macintosh computer retail store in the mid-90's and the other employees and I played a first-person shooting game called Marathon. I had played a lot of videogames from Pong through Atari 2600, games on my Apple ][ (Karateka & Ultima II were favorites), and some NES. Marathon was one of the first games I was kind of snobby about though. While Doom was all the rage in the PC gaming world for being a mindless kill-fest, Marathon had a story, man. And was therefore superior. ;)

What was new to me about Marathon was that it had a network mode where you could play against other players on the Local Area Network. This was my introduction to LAN parties. Our store was wired up with Ethernet and all of the computers were on the LAN. Since we had good demo machines set up, we could play with some of the best hardware available at the time. (PowerMac 8100/8500s were best for hosting the games)

It was a violent game, lots of killing & splattering, and part of the fun was being killed in a spectacular way - a perfect grenade shot behind you that would launch your carcass back toward the arena, getting shot by someone with good aim from far away - there was no avoiding it, and it was all in good fun.

You could name your characters, too, but the only one I remember now was our store manager who called himself Avenger. It was a cool moniker, inspired by the car he drove at the time - a Dodge Avenger.

This mix was made special for the nights we'd hang out after hours, put the tape in, and kill each other for a few hours. On the J-card, you can probably see where I started emphasizing words that had to do with the game: kill, bleeding, shot, etc. And the songs are all pretty fast & hard musically, to lend an air of urgency and chaos to the games.

I present to you: Marathon | rdio / Spotify |



(Some songs aren't the originals, and there are a few that are missing, but we take what our digital music overlords give us.)



Frog blast the vent core!


Sunday, February 23, 2014

Juicy Tapes Vol. 1 - Mellow Damn Tape


So, my sister got me these great cassette tape glasses as a gift, and they came with a grease pencil to write the name of the mix. This morning, I wrote down the name of one of my mix tapes from when I was a young lad and it occurred to me that I have enough mixes to make it an occasional feature here on the ol' blog. The name "juicy tapes" derives from the liquid in the glass. So here it is.

The Story Behind The Mix: 

I went to visit my cousins a couple of times in the mid-80's down in Long Beach, MS. They had a funny way with naming things - they called a local bar "church," as in "let's go to church after this". And I'm pretty sure someone had a mixtape named "Mellow Damn Tape". I loved it, and I lived in Colorado (far away from Mississippi), so I ripped the name off for one of my own mixes.

The mix as it stands isn't all that mellow - I could have (and have, I think) done much better. But it's certainly a snapshot in time, somewhere in 1985, I'd guess. Original J-card below.

So, enjoy this mix, collated for your 2014 listening pleasure on Rdio or Spotify. (For some reason in the Spotify web player, it's starting with Everything Counts. Go to the app to see & play the whole thing.)